YOU WERE LOOKING FOR: The Tragedy Of Romeo And Juliet Act 1 Answers
Take up the quiz below and see. The quiz will test you on the Perfect prep for Romeo and Juliet quizzes and tests you might have in school. The Friars plan to fake Juliet's death by administering her with a portion that ends up putting her in a...
For each act, many of the discussion questions and writing prompts are the subject of our character interviews, so we recommend showing students the interviews as preparation. A comprehensive database of more than romeo and juliet quizzes online,...
Paris wants to know what the fight was about. What is Capulet's response to Paris? He tells Paris to leave him alone. He asks Paris to join the family business. He suggests that Paris talk with Lady Capulet. He encourages Paris to spend more time with Juliet. Where does Capulet invite Paris? Capulet gives Peter a guest list and tells him to personally invite the people on the list to the feast.
What is the problem? Peter can't read. The people are his enemies. He doesn't know where they live. What does Peter ask Romeo? Can you read? Why are you so sad? Aren't you a Montague? Where have you been all day? Peter invites Romeo and Benvolio to the party. However, he adds one condition. What is that condition? They must wear black tie attire. They cannot tell anyone he invited them. They cannot belong to the house of Montague. What does Romeo think of Rosaline? She is a mean woman. She has moved on quickly. She is a member of the Capulet family. She is the most beautiful woman in the world.
Why doesn't Benvolio agree with Romeo? He doesn't like Rosaline. He thinks Juliet is beautiful. He wants Romeo to stop being so depressed. He says Romeo hasn't looked at enough women. Why does Romeo agree to go to the party? Juliet is headstrong, while Romeo is passive until passion strikes and inspires him to action. How do these two events reveal changes in his character and an evolving view of death? Romeo considers suicide in both Act 3 and Act 5. In Act 3, Romeo's desire to take his own life is a cowardly response to his grief over killing Tybalt. Both Friar Laurence and the Nurse criticize Romeo for his weakness and lack of responsibility - taking the knife from his hands. In contrast, Romeo actually does commit suicide in Act V because he sees no other option. He plans for it, seeking out the Apothecary before leaving Mantua, and kills himself out of solidarity with Juliet, not because he is afraid.
While suicide is hardly a defensible action, Romeo's dual attempts to take his life reveal his growing maturity and his strengthened moral resolve. Do you believe this is true? Does his tendency towards infatuation give the audience occasion to question Romeo's affection for Juliet? Act 1 Romeo And Juliet Questions This question obviously asks for a student opinion, but there is evidence to support both sides of the argument. In Act 2, Friar Laurence states his opinion that Romeo does indeed fall in love too quickly. Romeo is arguably in love with being in love more than he is in love with any particular woman. The speed with which his affections shift from Rosaline to Juliet — all before he ever exchanges a word with the latter — suggests that Romeo's feelings of 'love' are closer to lust than commitment.
He is melancholy over Rosaline, but he is willing to die for Juliet. Therefore, a possible reading is that Romeo and Juliet's relationship might have been sparked by physical attraction, but it grew into a deep, spiritual connection. How does Shakespeare express this dichotomy through symbols, and how do those motifs help to underline the other major themes in the play? The contrast between order and disorder appears from the Prologue, where the Chorus tells a tragic story using the ordered sonnet form. From that point onwards, the separation between order and disorder is a common theme.
Ironically, violence and disorder occurs in bright daylight, while the serenity of love emerges at night. The relationship between Romeo and Juliet is uncomplicated without the disorderly feud between their families, which has taken over the streets of Verona. Romeo And Juliet Final Test Answer Key The contrast between order and disorder underscores the way that Shakespeare presents love - a safe cocoon in which the lovers can separate themselves from the unpredictable world around them.
But woo her, gentle Paris, get her heart; My will to her consent is but a part. An she agree, within her scope of choice Lies my consent and fair according voice. When you get her heart, you will have my consent. Woo her until you win her over. I will ask her to consent as well. Win her heart, gentle Paris. My wanting her to consent is only part of the process. If she agrees, then you have my consent as well. Win her heart, Paris. I shall will her to consent, for my part. Once she agrees, having had a fair choice, I will agree, too.
Download Paper : 42 Views: Romeo says he is falling in love with Juliet within minutes of meeting her after finding out that she was a Capsule. Making impulsive decisions allows Romeo to take the easy way out Of the dilemmas and he makes matters worse by acting on a first thought rather than logic. Secondly, Romeo was an overly dramatic person. Don't use plagiarized sources. By being overly dramatic Romeo make situations worse because he overreacts and seems to only care about his own feelings or suffering. In addition, Romeos secretive nature complicates his situation. Therefore farewell. Since Romeo is secretive, he can confide in no one and withholding the simple truth adds to the violent misunderstandings and confusion. Being impulsive, overly dramatic, and secretive contributes to the tragedy that occurs.
Juliet, just like any normal human being possesses flaws, which in this case, lead to tragedy. To begin with, Juliet is over-dramatic. She is over-dramatic when dealing with Romeos death. When she finds out, she takes her first thought into action. She thought that she could not live without Romeo, so she killed herself. Juliet also does risky things. She risks her life when drinking the potion Friar Lawrence gave created.
This potion could have killed Juliet, but she said she would rather die, than live without Romeo. Lastly, Juliet is easily persuaded. Her mom wanted her to get married to Paris. Being over-dramatic, risky, and easily persuaded contributes to the tragedy that occurs. Friar Lawrence, just like any normal human being, possesses flaws, which in this case, lead to tragedy. To begin with, Friar Lawrence is secretive.
If he did tell them, the ending fight and death would not have occurred. Secondly, Friar Lawrence is a bad decision maker. He gave Juliet a vial to temporarily kill her until for the wedding day. This starts the tragedy because when Romeo hears the news that she is dead, he was willing to die with her due to the confliction about the message expected. In addition, Friar Lawrence was to blame for the tragedy due to his desire for glory. This was when Friar Lawrence agreed to marry Romeo and Juliet. Being secretive, a bad decision maker, and his desire for glory contributes to the tragedy that occurs. Romeo shows that he is impulsive, overly dramatic, and secretive. Also, Juliet shows that she is overly-dramatic, risky, and easily persuaded. Lastly, Friar Lawrence shows that he is secretive, a bad decision maker, and he has a desire for glory. These three characters, all had tragic flaws.
Part, fools, put up your swords; you know not what you do. What, art thou drawn among these heartless hinds? Turn thee, Benvolio, look upon thy death. Benvolio I do but keep the peace. Put up thy sword, Or manage it to part these men with me. Tybalt What, drawn and talk of peace! I hate the word, As I hate hell, all Montagues, and thee. Have at thee, coward! Enter several others of both houses, who join the fray; then enter Citizens with clubs. Strike; beat them down! Down with the Capulets! Down with the Montagues! Give me my long sword, ho! Lady Capulet A crutch, a crutch — why call you for a sword? Capulet My sword, I say! Old Montague is come, And flourishes his blade in spite of me.
Lady Montague Thou shalt not stir a foot to seek a foe. What, ho! Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, Have thrice disturb'd the quiet of our streets, And made Verona's ancient citizens Cast by their grave beseeming ornaments, To wield old partisans, in hands as old, Canker'd with peace, to part your canker'd hate. If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time, all the rest depart away.
You, Capulet, shall go along with me; And Montague, come you this afternoon, To know our further pleasure in this case, To old Free-town, our common judgment-place. Once more, on pain of death, all men depart. Speak, nephew, were you by when it began? Benvolio Here were the servants of your adversary And yours, close fighting ere I did approach; I drew to part them. In the instant came The fiery Tybalt, with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who, nothing hurt withal, hiss'd him in scorn.
While we were interchanging thrusts and blows, Came more and more, and fought on part and part, Till the prince came, who parted either part. Lady Montague O, where is Romeo? Saw you him to-day? Right glad I am he was not at this fray. Benvolio Madam, an hour before the worshipp'd sun Peer'd forth the golden window of the east, A troubled mind drove me to walk abroad, Where, underneath the grove of sycamore That westward rooteth from this city side, So early walking did I see your son. Towards him I made, but he was ware of me And stole into the covert of the wood. I, measuring his affections by my own, Which then most sought where most might not be found, Being one too many by my weary self, Pursued my humour, not pursuing his, And gladly shunn'd who gladly fled from me.
Montague Many a morning hath he there been seen, With tears augmenting the fresh morning dew, Adding to clouds more clouds with his deep sighs. But all so soon as the all-cheering sun Should in the furthest east begin to draw The shady curtains from Aurora's bed, Away from the light steals home my heavy son, And private in his chamber pens himself, Shuts up his windows, locks fair daylight out And makes himself an artificial night. Black and portentous must this humor prove, Unless good counsel may the cause remove. Benvolio My noble uncle, do you know the cause?
Montague I neither know it, nor can learn of him. Benvolio Have you importuned him by any means? Montague Both by myself and many other friends. But he his own affections' counsellor Is to himself — I will not say how true — But to himself so secret and so close, So far from sounding and discovery, As is the bud bit with an envious worm, Ere he can spread his sweet leaves to the air, Or dedicate his beauty to the sun. Could we but learn from whence his sorrows grow, We would as willingly give cure as know. So please you, step aside. I'll know his grievance, or be much denied. Montague I would thou wert so happy by thy stay To hear true shrift. Come, madam, let's away.
Summary Prologue The chorus introduces the play and establishes the plot that will unfold. They explain how two families in Verona — the Capulets and the Montagues - have reignited an ancient feud, and how two lovers, one from each family, will commit suicide after becoming entangled in this conflict. These lovers are Juliet Capulet and Romeo Montague. Only after the suicides will the families decide to end their feud. They banter, using sexual innuendo and raunchy puns to joke about women, and speak with animosity about the Montagues. They lament that the law prohibits fighting, and wonder how to start a battle legally. When the Montague servants — Abram and Balthasar — arrive, Sampson bites his thumb at them which is rude but not illegal. Insulted, Abram confronts Sampson and a fight begins. Benvolio , Romeo's cousin, arrives to discover the fight in progress. Drawing his sword, he commands them to stop.
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